The Pradeeps of Pittsburgh: A Humorous and Controversial Take on Indian Immigrant Life Amid Stereotypes and Crime

From films and TV shows to stand-up comedy and the endless stream of memes saturating social media, the clichéd image of the Indian family has long been a target of humor. The mothers tend to be overly demanding, the cuisine is excessively spicy, curfews are bothersome, personal space feels non-existent, academic pressure is a family legacy, and, well… the list goes on. If you’re on the lookout for a collection of these amusing stereotypes, Prime Video’s newest offering, The Pradeeps of Pittsburgh, could be just what you need. Spanning a rambunctious 228 minutes, this series humorously dissects the quirky family dynamics that are often attributed to Indians.

The series also explores the uncomfortable discussions surrounding intimacy within Indian households.

This eight-episode series centers around a quintessential Indian family, the Pradeeps, who have relocated to Pittsburgh in the United States — often referred to as the land of opportunities. The family is led by Mahesh (Naveen William Sidney Andrews), the hopeful engineer father who uprooted the family for a SpaceX contract, and Sudha (Sindhu Vee), the neurosurgeon mother grappling with the challenges of securing her medical license in a new and regulation-heavy country. Their children include Bhanu (Sahana Srinivasan), the eldest daughter striving to assimilate into the local culture; Kamal (Arjun Sriram), a reserved and timid youth burdened by various phobias; and Vinod (Ashwin Sakthivel), an upbeat junior high school student who maintains a positive outlook, even while being bullied.

However, this narrative goes beyond merely portraying an Indian family struggling to adapt to a foreign land. The Pradeeps find themselves embroiled in a criminal investigation linked to their Christian neighbors—a plot twist that unfolds as the series progresses. Now under scrutiny from immigration authorities, the family faces intense questioning over the serious allegations, with the looming threat of deportation hanging over them.

A comical investigation is at the heart of the show, with the Pradeep family in the hot seat!

The series unfolds through a tapestry of flashbacks, featuring two officers determined to crack open the family’s defenses. The Pradeeps are interviewed in various combinations—individually, in pairs, and in groups—but the family remains largely unfazed and uninterested in the colorful interrogation techniques employed.

The humor of the show is driven by the characters’ indifference and their drastically differing interpretations of events. While Sudha might recant a snowstorm that caused their car to slide in a prolonged fashion before catching fire — justifying her exaggeration with, «We Indians have a tendency to spice up our stories» — Mahesh recounts the same episode as a turning point for positivity. This back-and-forth extends to their neighbors, who provide their own distorted interpretations, further complicating matters.

Every version seems to hold some kernel of truth until the next person arrives with an entirely contradictory take. At one juncture, the show even attempts to humorously highlight the parallels between Indian moms and devout Christian mothers.

The episodes are brief, sharply penned, and transition smoothly from one to the next. The overall vibe remains light and comedic. Even when touching on serious subjects like racism, the tone remains nonchalant. The Pradeeps of Pittsburgh rolls along like a carefree high school drama, where the characters have yet to encounter the more severe realities of life.

Ashwin’s character shows an unusual admiration for the comfortable lives of American sanitation workers, contrasting sharply with those back in his home country.

While light-hearted jests can be entertaining, a globally launching program carries the weight of providing a balanced representation to some extent. I’m not advocating for a portrayal that only showcases the nation’s achievements or a single-minded patriotic narrative that asserts our country is the best in the world — let’s leave that task to our exceptionally skilled politicians — but a bit more consideration could have made a difference. I won’t delve into the debate on how art and cinema shape audience perceptions, but for viewers unfamiliar with India, such portrayals can shape certain narratives. As an inhabitant of the very country in question, I can affirm that we don’t don sequined sarees or sherwanis merely to venture out for a plate of panipuri, as the Pradeeps may lead you to think.

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All episodes of The Pradeeps of Pittsburgh are concise, well-crafted, and transition smoothly.

The Pradeeps of Pittsburgh is not the inaugural American production to resort to this misinformed characterization. The Big Bang Theory, arguably one of the most beloved sitcoms of its era, also leaned into harmful stereotypes regarding Indians. Raj, a central character, struggled to interact with women, depended on his father for monetary support, and attempted to control his sister’s dating life using outdated religious doctrine that denigrates women as belonging to their fathers or brothers. All this despite his credentials as a brilliant astrophysicist. It’s high time we left such clichéd portrayals in the past and embraced more authentic representations.

Nevertheless, The Pradeeps of Pittsburgh operates as a lighthearted comedy reflecting the everyday challenges faced by the Indian diaspora in the United States—nothing beyond that. The series is packed with daft and superficial humor surrounding sexuality, faith, parenting, and everything associated with being brown. While some stereotypes are exaggerated to the point of absurdity, Indian viewers will undoubtedly find relatable moments. However, if you are easily offended or often find yourself embroiled in heated discussions on social media (yes, we know it’s called X now) about cancel culture, you may want to pass on this one. That said, I have immense affection for my country. Please don’t cancel me for suggesting this show.

Rating: 6/10